In 1893, heavily pregnant Molly Johnson and her children struggle in isolation to survive the harsh Australian landscape after her husband left to go droving sheep in the high country. One day, she finds a shackled Aboriginal fugitive named Yakada wounded on her property. As an unlikely bond begins to form between them he reveals secrets about her true identity. Realizing Molly’s husband is actually missing, new town lawman Nate Clintoff starts being suspicious and sends his constable to investigate.

When a new family moves in next door, their young daughter, Megan, quickly captivates Laura, stirring up painful memories of her own daughter who died several years previously. Before long, Laura’s memories turn to obsession as Megan’s unsettling behaviour begins to convince her of something supernatural. As Laura’s determination to get to the bottom of it becomes all consuming, her family begins to fracture and the line between the extraordinary and the real becomes ever more obscured in this haunting story about a mother’s love.

Upon receiving a mysterious letter that her mother’s grave has been vandalized, Marie travels to the desolate island town where she’s buried. Just as she arrives, the island closes for the season, leaving Marie trapped in a nightmare.

A Kawa Ijen sulfur miner finds his routine radically altered the moment his wife goes away. He enters then a time loop that transforms his reality as his beliefs move from animism to Islam and capitalism. In a hybridization between ethnofiction and documentary, the film questions the myth of progress and explores the relationship with the otherness in the neocolonial reality of the South Seas
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Told episodically and bordering between the fictional and the documental, the film intimately interweaves the life stories of young women who no longer have a real home with their own families. They are given refuge in a temporary youth home, where they and their carers bond to form a new family. La Mif is a safe haven for wounded protagonists who do not spare themselves or others.

An urban train link, the RER B, crosses Paris and its outskirts from north to south. A journey within indistinct spaces known as inner cities and suburbs. Several portraits, all individual pieces that form a whole. We. Credits: TheMovieDb.

A five-year-old Yazidi boy is released after nearly three years in ISIS captivity. Profoundly disturbed, brainwashed and weaponized by the abuse he endured, he displays violent hatred towards the world around him, and particular revulsion for his mother, who was held hostage alongside him. Imad considers himself to be an ISIS fighter and lashes out against children and adults alike in this intense horror film about a child possessed by terror. As menacing as his behaviour is, it is a mere imitation of the humiliation and brutality he was moulded by. He did exactly as he was told by ISIS

Review-Imad’s Childhood

A documentary about Michael Brody Jr., a 21-year-old hippie millionaire who in 1970 promised to give away his $25M inheritance in an effort to usher in a new era of world peace.

Minato (Nana Mori) is a university student and has a fear of germs. She isn’t interested in looking pretty. She lives with her stepbrother Toru (Hokuto Matsumura), who is her stepbrother from her mother’s remarriage. Meanwhile, Toru is handsome and a player with the ladies. He doesn’t resist women who come on to him and he doesn’t stop women from leaving him either. Minato is uncomfortable with Toru and his ways with women. They are the same age and attend the same university. They have an agreement, where Toru will not approach Minato within 2 meters when they are outside.

Review-Liar x Liar