Animol review: Tough Sell | Sight and Sound

In Animol, directed by Ashley Walters, Troy (Tut Nyuot) arrives at a youth detention center, setting the tone for his harrowing experience. The film opens with a close-up of Troy’s apprehensive expression, highlighted by Tasha Back’s striking cinematography. Upon arrival, he faces immediate threats, particularly from fellow inmate Dion (Sekou Diaby), who coerces him into smuggling a phone, ensuring a grim start to his stay. Days drag on, filled with trauma and punctuated by moments of violence. Troy and his ally, the vulnerable Krystian (Vladyslav Baliuk), are marked as prey, revealing the harsh reality of their environment where compliance doesn’t guarantee safety.

Dion’s calm demeanor makes him the ruler of his cell, surrounded by vices and loyal followers. Despite the prevailing menace, Walters injects glimpses of childish wonder into the bleak narrative, like colorful cell windows and the camaraderie of inmates sharing joints. Troy and Krystian find brief respite in each other’s company, allowing their tension to dissolve momentarily.

Walters, an accomplished actor, excels as a director, capturing nuanced performances that reflect the boys’ vulnerabilities amidst their forced transformation into hardened individuals. The film critiques a system that punishes the boys for their choices while leaving them few alternatives. Animol is set to screen at the 2026 BFI London Film Festival and will release in UK cinemas on 30 October.

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