In “Resident Evil,” directed by Zach Cregger, a courier, played by Austin Abrams, embarks on a harrowing late-night delivery in Raccoon City, encountering mutated humans along the way. The film strives to capture the essence of the original video game franchise, which features a T-Virus that transforms humans into monstrous creatures. Cregger aims to reboot the series by discarding previous convoluted plots and characters, creating a film that feels authentically video game-like.
As a director, Cregger refines his style into a straightforward, action-driven narrative, prioritizing visceral thrills over complex storytelling. The film begins strongly, immersing viewers in suspenseful atmospheres and utilizing effective horror techniques, showcasing clever misdirects and a strong point-of-view cinematography.
However, the second act falters slightly as it delves into horror-comedy, leaning too heavily on humor. Lines that acknowledge the video game origins, while initially amusing, detract from the immersion the film expertly established. Despite these missteps, the film regains its footing with a campy final act.
Abrams’ performance as the bumbling courier is the film’s anchor, as he balances fear and comedic moments convincingly. Ultimately, while “Resident Evil” doesn’t delve into substantial themes, it serves as an entertaining 90-minute experience, successfully capturing the thrill of the games. This adaptation surpasses its predecessors, offering fans a bloody, chaotic ride that is both scary and enjoyable—a refreshing take on the beloved franchise.
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