Elinor (Daisy Edgar-Jones) and Marianne (Esmé Creed-Miles) Dashwood, two contrasting sisters, experience the trials of first love in this new adaptation of Jane Austen’s Sense and Sensibility. Directed by Georgia Oakley, who previously helmed Blue Jean, this film is the first feature version since Ang Lee’s acclaimed 1995 adaptation. While the film boasts beautiful cinematography and production design, it struggles to establish a distinct identity, drawing heavily on earlier works like Joe Wright’s Pride and Prejudice.
The film effectively highlights Austen’s theme of women’s economic insecurity, as the Dashwood sisters are displaced from their estate due to laws favoring male heirs. Elinor’s relationship with Edward Ferrars (George MacKay) forms the film’s emotional core, showcasing a warm rapport between the two. However, as Marianne embraces romance with the charming John Willoughby (Frank Dillane), the narrative shifts towards conventional romantic tropes, overshadowing the deeper themes.
Despite the film’s visual appeal and strong performances, including Edgar-Jones’ steady portrayal, the film’s focus on romance detracts from the sisterly bond, leaving it underdeveloped. The adaptation sacrifices Austen’s sharp wit for a more sentimental approach, resulting in a handsome yet derivative take on the beloved classic, lacking the emotional depth that characterizes the original story.
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