“Shoot the People” transcends typical documentary frameworks by focusing on outstanding British photographer Misan Harriman without reducing his narrative to mere relatability. Instead, the film unfolds as a contemporary hero’s origin story, tracing Harriman’s rise from capturing the George Floyd protests to becoming the first Black photographer for British Vogue, as well as his Academy Award-nominated short film, “The After” (2023). However, the essence of the film lies not in his personal achievements but in his commitment to leveraging his platform to uplift others.
Director Andy Mundy-Castle skillfully avoids biographical spectacle, contextualizing Harriman’s work within the values and beliefs that guide it. The shared experiences of both Harriman and Mundy-Castle, as Black British filmmakers, resonate deeply in the film, highlighting the industry’s ongoing underestimation of their narratives. Harriman is often depicted in close, steady shots that communicate his thoughtful engagement with the stakes at hand.
The documentary captures his reflective nature, particularly in discussions with figures like Congresswoman Ilhan Omar and Martin Luther King III, as he grapples with the impact of political photography. A pivotal moment occurs when he visits the home of photographer and freedom fighter Peter Magubane, emphasizing the tension between documenting injustice and the ethics of representation.
Ultimately, Harriman’s journey is marked by a clear acknowledgment of the ethical responsibilities tied to image-making, a notion that Mouduy-Castle honors throughout the film. “Shoot the People” releases in UK cinemas on July 10.
