In Martin McDonagh’s latest film, Wild Horse Nine, the story revolves around John Malkovich’s character, Chris Carlisle, an aging CIA operative grappling with terminal cancer and early dementia. As he and his melancholic partner, Lee Chesterfield (Sam Rockwell), are sent to Santiago in 1973 to orchestrate the overthrow of President Salvador Allende, Chris is more inclined to reflect on past misdeeds than plan new ones. Their journey takes an unexpected turn when they decide to vacation in Easter Island, where Chris contemplates his own demise and asks Lee to assist him in circumventing the Catholic prohibition against suicide.
McDonagh blends humor with heavy themes, exploring male friendship amid a backdrop of real-world political turmoil. However, the film navigates tricky territory, often trivializing serious historical events for comedic effect, which can overshadow its critiques of U.S. imperialism. While he excels in witty dialogue, McDonagh sometimes veers into insensitivity, particularly with his underdeveloped female characters who serve primarily as reflections of the male leads.
Despite these flaws, the chemistry between Malkovich and Rockwell sustains the film, offering poignant moments in their complex relationship. While Wild Horse Nine aims to grapple with the consequences of its protagonists’ actions, it ultimately provides a bittersweet farewell to flawed characters, leaving audiences to navigate the disconnect between their cynicism and the tragedy of their impact on history. The film releases in UK cinemas on November 6.
